vihuela de mano造句

• When it was played by hand it was known as the vihuela de mano.
• Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music.
• In about the year 1500 many Iberian lutenists adopted vihuela de mano, a viol-shaped instrument tuned like the lute, but both instruments continued in coexistence.
• Viols were first constructed much like the " vihuela de mano ", with all surfaces, top, back, and sides made from flat slabs or pieces of joined wood, bent or curved as required.
• Current members of the group are : Jairo Serrano ( voice, percussion ), Carlos Serrano ( early woodwinds ), and Juli醤 Navarro ( vihuela de mano, baroque guitar, theorbo ), as well as guest musicians.
• By the 15th century, a four course double-string instrument called the vihuela de mano, that had tuning like the later modern guitar except on one string and similar construction, first appeared in Spain and spread to France and Italy.
• The first person to publish a collection of music for the vihuela was the Spanish composer Luis de Mil醤, with his volume titled " Libro de m鷖ica de vihuela de mano intitulado El maestro " of 1536 dedicated to King John III of Portugal.
• Unlike members of the violin family, which are tuned in fifths, viols are usually tuned in fourths with a major third in the middle, mirroring the tuning employed on the vihuela de mano and lute during the 16th century and similar to that of the modern six-string guitar.